COLLECTION NAME:
MIMEd (Musical Instrument Museums Edinburgh)
mediaCollectionId
UoEart~2~2
MIMEd (Musical Instrument Museums Edinburgh)
Collection
true
Work Record ID:
0033472
work_record_id
0033472
Work Record ID
false
ID Number:
1596
work_id_number
1596
ID Number
false
Title:
Archlute.
work_title
Archlute.
Title
false
Title Notes:
12 courses, (6|×|2) plus (6|×|1)|strings.
work_title_info
12 courses, (6|×|2) plus (6|×|1)|strings.
Title Notes
false
Description:
Technical description: A fake instrument which may have been made around an original lute back. The instrument could never have functioned musically, nor was it intended to. Thick coats of gesso and paint obscure all of the woods. The soundboard is approximately 6mm thick. The bridge is 220mm long and 25mm wide, designed so that all of the strings pass through evenly spaced holes. The rose hole is 98mm diameter, with a crudely cut geometric rose applied inside. There appear to be 19 ribs, covered inside by paper. There is no end capping piece. The bass neck is a direct extension of the fretted neck. The fretted neck is 280mm long, 72mm wide at the nut and 84mm wide at the body join. The nut is probably of ivory and is raised so that the strings would be about 8mm from the soundboard. There are 8 pegs remaining, the paint having clamped them in place. The bass-string's nut sits on a extension, and is of ivory. It is possible that the instrument could have been played using only the open strings only in harp fashion, but held like an archlute. Repair History: Gesso may have been a later addition when the instrument became unplayable through wear.
work_description
Technical description: A fake instrument which may have been made around an original lute back. The instrument could never have functioned musically, nor was it intended to. Thick coats of gesso and paint obscure all of the woods. The soundboard is approximately 6mm thick. The bridge is 220mm long and 25mm wide, designed so that all of the strings pass through evenly spaced holes. The rose hole is 98mm diameter, with a crudely cut geometric rose applied inside. There appear to be 19 ribs, covered inside by paper. There is no end capping piece. The bass neck is a direct extension of the fretted neck. The fretted neck is 280mm long, 72mm wide at the nut and 84mm wide at the body join. The nut is probably of ivory and is raised so that the strings would be about 8mm from the soundboard. There are 8 pegs remaining, the paint having clamped them in place. The bass-string's nut sits on a extension, and is of ivory. It is possible that the instrument could have been played using only the open strings only in harp fashion, but held like an archlute. Repair History: Gesso may have been a later addition when the instrument became unplayable through wear.
Description
false
Measurement:
1806.
work_display_measurement
1806.
Measurement
false
Measurement:
410.
work_display_measurement
410.
Measurement
false
Measurement:
145.
work_display_measurement
145.
Measurement
false
Measurement:
580 (fretted strings), 1480 (bass strings).
work_display_measurement
580 (fretted strings), 1480 (bass strings).
Measurement
false
Measurement:
283.
work_display_measurement
283.
Measurement
false
Repository:
MIMEd
work_repository
MIMEd
Repository
false
Repository:
Macaulay Collection
work_repository
Macaulay Collection
Repository
false
Repro Link ID:
0033472c
repro_link_id
0033472c
Repro Link ID
false
Repro File Type:
Cropped Tiff
repro_file_type
Cropped Tiff
Repro File Type
false
Repro Title:
Archlute : FRONT
repro_title
Archlute : FRONT
Repro Title
false
Repro Creator Name:
Antonia Reeve
repro_creator_name
Antonia Reeve
Repro Creator Name
false
Repro Description:
Archlute : FRONT
repro_description
Archlute : FRONT
Repro Description
false
Repro Rights Statement:
© The University of Edinburgh
repro_rights_statement
© The University of Edinburgh
Repro Rights Statement
false
Repro Publication Status:
Full public access
repro_publication_status
Full public access
Repro Publication Status
false
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2010-06-03
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Photographer: Antonia Reeve
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copyright: Antonia Reeve, Edinburgh UK
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