COLLECTION NAME:
Manuscripts of the Islamicate World and South Asia
mediaCollectionId
UoEsha~4~4
Manuscripts of the Islamicate World and South Asia
Collection
true
Work Record ID:
0011353
work_record_id
0011353
Work Record ID
false
Licence:
Shelfmark:
Or.Ms 114
work_shelfmark
Or.Ms 114
Shelfmark
false
Holding Institution:
University of Edinburgh
holding_institution
University of Edinburgh
Holding Institution
false
Title:
Ragamala Paintings
work_title
Ragamala Paintings
Title
false
Subset Index:
Insert
work_subset_index
Insert
Subset Index
false
Creator:
Unknown
work_creator_details
Unknown
Creator
false
Creator Role:
Author
work_creator_role
Author
Creator Role
false
Date:
Mid-Late 18th Century
work_display_date
Mid-Late 18th Century
Date
false
Description:
Detail of handwritten insert from manuscript containing Ragamala paintings. While most of the text is in Hindustani, the information at the bottom is written in English. Ragamala paintings are images which depict, in physical form, the 'modes' or scales used in Indian Classical Music, known as ragas. Usually accompanied by an inscription or poem, they elucidate the season and time of day in which a raga was meant to be performed, as well as its mood, and often portray the Hindu deities with which they are individually associated. The concept may have originally come about through the use of personification as an aide memoire for musicians, which then developed into physical imagery. This collection dates to the mid-late eighteenth century, and originates from Hyderabad on the Deccan Plateau in Southern India. Acquired by John Ballie (1772-1833), who brought it to the UK, it is one of two sets of Ragamala paintings in the Oriental Manuscripts Collection, the other being Or.Ms 437.1-2. Sources: Watson, L. (2012), What is Ragamala?, http://dulwichonvie… (accessed 05/06/14). http://www.ed.ac.uk… (accessed 05/06/14)
work_description
Detail of handwritten insert from manuscript containing Ragamala paintings. While most of the text is in Hindustani, the information at the bottom is written in English. Ragamala paintings are images which depict, in physical form, the 'modes' or scales used in Indian Classical Music, known as ragas. Usually accompanied by an inscription or poem, they elucidate the season and time of day in which a raga was meant to be performed, as well as its mood, and often portray the Hindu deities with which they are individually associated. The concept may have originally come about through the use of personification as an aide memoire for musicians, which then developed into physical imagery. This collection dates to the mid-late eighteenth century, and originates from Hyderabad on the Deccan Plateau in Southern India. Acquired by John Ballie (1772-1833), who brought it to the UK, it is one of two sets of Ragamala paintings in the Oriental Manuscripts Collection, the other being Or.Ms 437.1-2. Sources: Watson, L. (2012), What is Ragamala?, http://dulwichonview.org.uk/2012/01/20/what-is-ragamala/ (accessed 05/06/14). http://www.ed.ac.uk/about/museums-galleries/talbot-rice/archive/ragamala (accessed 05/06/14)
Description
false
Location:
Centre for Research Collections/Main Library
work_location
Centre for Research Collections/Main Library
Location
false
Culture:
Indian
work_culture
Indian
Culture
false
Subject Category:
Art
work_subject_class
Art
Subject Category
false
Subject Category:
Music
work_subject_class
Music
Subject Category
false
Rights Statement:
© The University of Edinburgh
work_rights_statement
© The University of Edinburgh
Rights Statement
false
Catalogue Entry:
Tag:
Hindu
tag
Hindu
Tag
false
Tag:
Music
tag
Music
Tag
false
Tag:
Painting
tag
Painting
Tag
false
Tag:
Raga
tag
Raga
Tag
false
Tag:
Ragamala
tag
Ragamala
Tag
false
Tag:
India
tag
India
Tag
false
Repro File Type:
Cropped Tiff
repro_file_type
Cropped Tiff
Repro File Type
false
Repro File Size (bytes):
124916976
repro_file_size
124916976
Repro File Size (bytes)
false
Repro Title:
Ragamala Paintings, Insert
repro_title
Ragamala Paintings, Insert
Repro Title
false
Repro Rights Statement:
© The University of Edinburgh
repro_rights_statement
© The University of Edinburgh
Repro Rights Statement
false
Repro Capture Date:
2010:07:14 16:09:21
repro_capture_date
2010:07:14 16:09:21
Repro Capture Date
false